Following his description of the Saccidananda Society and its mission, Bapida (Sri P.C. Lahiri) proceeded to introduce Sri Karamjeet Singh as not only an award-winning and highly accomplished filmmaker (who specializes in making films related to the Himalayas), but also as a deeply spiritual person, who akin to a ‘bhakt’, dedicates his entire focus towards whatever task there is on hand. Much as in the case with Sri Rustagi, Sri Karamjeet Singh’s outlook on spiritualism took a wonderful and remarkable turn since the commencement of his association with Sri Sri Babathakur. Being blessed with the opportunity of interacting with Sri Sri Babathakur’s, Mr. Singh has gone on to make a film on the words and teaching of the Master titled ‘I-Witness’, which is currently being reviewed for clearance by the Censure Board. Bapida invited Mr. Singh onto the stage to share some of his spiritual views and experiences with the audience.
After thanking Bapida and greeting the audience, Sri Karamjeet Singh begun by stating that he hadn’t initially approached Sri Sri Babathakur to receive any specific spiritual knowledge or help. His interest in Sri Sri Babathakur was purely as a filmmaker tasked with shooting a documentary based on the teachings of the Master. Sri Singh claimed that as a filmmaker, he is inclined to thoroughly scrutinize and assess his subjects rather than blindly believing anything said or written about them. He has over the course of his career, encountered many spiritual masters, yogis, sages etc. without particularly being impressed by any of them. However with Sri Sri Babathakur, his experiences were vastly different. The first thing that struck him about Sri Sri Babathakur was that the Master was in the least bit interested to force His spiritual beliefs onto others. He harbored no desire to set up any ashram, recruit disciples, or launch a fund drive to help spread His message. It was (like Bapida had described earlier) as if Sri Sri Babathakur was like the sun, ready to illuminate the spiritual life of anyone interested in the ultimate goal of Self Realization - to whatever extent he/she was capable and willing to partake of His teachings.
Sri Karamjeet Singh addressing the satsang
This is what Sri Singh proceeded to do (i.e. ‘just listen’ without any preconceived notions) in subsequent interactions with Sri Sri Babathakur. He found the Master using different approaches to illuminate a seeker’s understanding of the many facets of an individual’s ultimate spiritual objective. Mr. Singh referred to the story of the blind men and the elephant - with those of us possessing limited and imperfect spiritual knowledge being akin to the blind men (i.e. being able to comprehend only a part of the elephant called ‘existence’), and the Master (given His Realization) being able to see the whole elephant. Over time and through various tangents, Sri Sri Babathakur provided Sri Karamjeet Singh with a bigger and clearer picture of what this elephant called ‘human existance’ is all about.
Sri Karamjeet Singh concluded his speech by stating that he still fondly recollects his interactions with Sri Sri Babathakur, occasionally reads his books, and tries to incorporate the Masters teachings in his day-to-day life, particularly those related to Karma Yog, which he himself (i.e. Sri Singh) is naturally drawn to.
Bapida thanked Sri Karamjeet Singh for sharing his experiences in a very direct and open way, stating that the listeners are always appreciative of and inspired by listening to the ‘direct experiences’ of bhaktas. Emphasizing further upon the nobility of having an ‘open’ nature, Bapida referred to Sri Sri Babathakur’s occasional play with certain words such as ‘disease’. The word ‘disease’ can be broken down into ‘dis’ and ‘ease’. All of us (who are not Self Realized) are afflicted with some form of ailment – and this disease may not necessarily merely of the physical kind. Only someone who is completely open and at ease with one and all, one who is not constricted/limited by any particular thoughts or opinions about others, can be said to be well set towards attaining the objective of Self Realization.
Bapida next drew the audience’s attention towards a very special characteristic of Sri Sri Babathakur – that of devotional songs or bhajans being spontaneously and effortlessly revealed to Him - complete with sur, taal, chand, and laya. These revealed bhajans were never the outcome of a certain musical training, focused thought process, or effort. They came naturally and spontaneously to the Master under certain circumstances, such as when deeply immersed in ‘Atma-bhaava (i.e. deep identification of All with the Self), coming out of Samadhi, during a state of deep relaxation, or when responding to the sincere adyatmic jigyasa (i.e. spiritual curiosity) of a seeker. Bapida then invited three versatile and highly accomplished musicians – Mrs. Shaoni Mitra, Mr. Debashis Ghosh, Mr. Pritimoy Goswami to come onto the stage and render some bhajans that had been revealed to Sri Sri Babathakur. Each of these musicians has been associated with the Master and performing His bhajans for the last twelve years. This close association with Sri Sri Babathakur and the rendering of His works has had a profound impact on both their personal and professional lives. With the passing of time, each has found himself/herself being increasingly drawn to the spiritual path, and dedicating more and more of time and effort towards communicating the spiritual insights of the Master by means of His revealed bhajans. Mrs Mitra (singing vocals), Mr. Ghosh (on harmonium) and Mr. Goswami (on tabla) beautifully delivered a set of 3 bhajans, with Bapida narrating the words of each bhajan (as well as discussing their significance) prior to its rendition. This set of bhajans included ‘Anand Se Bhajo Man’, “Mere Pritam, Mere Pritam’, and ‘Atma Ram Atma Ram’.
Mrs Shaoni Mitra performing at the satsang
Following the recital of the words to the bhajan ‘Mere Pritam, Mere Pritam’, Bapida mentioned that these words (all in Hindi) serve as fine examples of the fact that ‘Direct’ Knowledge or Experience has limited use for (i.e. is not dependent upon) formal education or training. Given Sri Sri Babathakur received no formal training in Hindi, the revealing of such bhajans to Him came as the natural and spontaneous outcome of having attained the highest form of Consciousness.
Following the rendition of the aforementioned bhajans, the audience was treated to the Keynote speech of the evening delivered by Swami Kinkar Samanand Maharaj ji. Swami ji had earlier that day delivered a brief speech at the Moksh Dham in Delhi as well. Bapida introduced Samanand Maharaj ji as both a rishi and a sanyasi, highly accomplished and well revered within the spiritual community. He is a professor of Philosophy at both the Kolkata Sanskrit College as well as Kolkata University. Swamiji had never met or interacted with Sri Sri Babathakur in the later's living form. However ever since attending the solhavi (i.e. sixteenth day) rites marking the departure of Sri Sri Babathakur’s from His mundane existence, Swamiji has been drawn to, and has closely researched the teachings of the Master, deriving enormous joy from the Master’s volumes of work. Bapida invited Swamiji to address the gathering. Given the length of the address, and the risk of misinterpretting both the broad scope as well as the deep spiritual content of Swamiji's message, an audio clip has been attached for readers to partake of Swamiji’s speech at their own pace and to their heart’s content.
Audio link to Swami Kinkar Samanand Maharaj ji's Keynote Address:
The evening concluded with another set of Sri Sri Babathakur’s revealed bhajans sung this time by revered classical singer Sri Kedar Bodas, son of eminent vocalist Sri Narayan Bodas. Sri Kedar Bodas had learnt to perform Sri Sri Babathakur's bhajans under the direct tutelage of the Master Himself. He was accompanied by Mr. Debashis Ghosh on harmonium and Mr. Pritimoy Goswami on tabla). The set included the following bhajans: 'Apon Swarupe Purno Apon' and 'Aho Kya Ananda'.
Sri Kedar Bodas rendering Sri Sri Babathakur's revealed bhajans